Oil On Canvas, Real Flavor of Old Masters

All ANGELICO Fra 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
52218  
Beheading of Saint Cosmas and Saint Damian, ANGELICO Fra
  		 Beheading of Saint Cosmas and Saint Damian   1438-40 Tempera on wood, 36 x 46 cm
4808  
Christ the Judge, ANGELICO Fra
  		 Christ the Judge   1447 Fresco Chapel of San Brizio, Duomo, Orvieto
4809  
Prophets, ANGELICO Fra
  		 Prophets   1447 Fresco Chapel of San Brizio, Duomo, Orvieto
43859  
Resurrection of Christ and Women at the Tomb, ANGELICO Fra
  		 Resurrection of Christ and Women at the Tomb   1440-41 Fresco, 189 x 164 cm
4811  
Saint Anthony the Abbot Tempted by a Lump of Gold, ANGELICO Fra
  		 Saint Anthony the Abbot Tempted by a Lump of Gold   c. 1436 Tempera on panel, 19.7 x 28 cm Museum of Fine Arts, Houston
52216  
Saint Cosmas and Saint Damian Condamned, ANGELICO Fra
  		 Saint Cosmas and Saint Damian Condamned   1438-40 Tempera on wood, 37 x 46 cm
52217  
Saint Cosmas and Saint Damian Crucifixed and Stoned, ANGELICO Fra
  		 Saint Cosmas and Saint Damian Crucifixed and Stoned   1438-40 Tempera on wood, 38 x 46 cm
52215  
Saint Cosmas and Saint Damian Salvaged, ANGELICO Fra
  		 Saint Cosmas and Saint Damian Salvaged   1438-40 Tempera on wood, 38 x 45 cm
52229  
Sepulchring of Saint Cosmas and Saint Damian, ANGELICO Fra
  		 Sepulchring of Saint Cosmas and Saint Damian   1438-40 Tempera on wood, 37 x 45 cm
52325  
St Lawrence on Trial, ANGELICO Fra
  		 St Lawrence on Trial   1447-49 Fresco, 271 x 473 cm
52240  
St Lawrence Receives the Treasures of the Church, ANGELICO Fra
  		 St Lawrence Receives the Treasures of the Church   1447-50 Fresco, 271 x 205 cm
63543  
The Arrest of St Stephen, ANGELICO Fra
  		 The Arrest of St Stephen   1447-49 Fresco Cappella Niccolina, Palazzi Pontifici, VaticanArtist:ANGELICO, Fra Title: The Arrest of St Stephen Painted in 1401-1450 , Italian - - painting : religious
52775  
The Attempted martyrdom of ss cosmas and damian, ANGELICO Fra
  		 The Attempted martyrdom of ss cosmas and damian   mk223 Oil on canvas
52230  
The Healing of Justinian by Saint Cosmas and Saint Damian, ANGELICO Fra
  		 The Healing of Justinian by Saint Cosmas and Saint Damian   1438-40 Tempera on wood, 37 x 45 cm
4810  
The Naming of St. John the Baptist, ANGELICO Fra
  		 The Naming of St. John the Baptist   1434-35 Tempera on panel, 26 x 24 cm Museo di San Marco, Florence
52251  
The Stoning of St Stephen, ANGELICO Fra
  		 The Stoning of St Stephen   1447-49
52089  
View of the Convent of San Marco, ANGELICO Fra
  		 View of the Convent of San Marco   1436 Convento di San Marco
ANGELICO Fra
Italian Early Renaissance Painter, ca.1387-1455 Italian painter, illuminator and Dominican friar. He rose from obscure beginnings as a journeyman illuminator to the renown of an artist whose last major commissions were monumental fresco cycles in St Peter's and the Vatican Palace, Rome. He reached maturity in the early 1430s, a watershed in the history of Florentine art. None of the masters who had broken new ground with naturalistic painting in the 1420s was still in Florence by the end of that decade. The way was open for a new generation of painters, and Fra Angelico was the dominant figure among several who became prominent at that time, including Paolo Uccello, Fra Filippo Lippi and Andrea del Castagno. By the early 1430s Fra Angelico was operating the largest and most prestigious workshop in Florence. His paintings offered alternatives to the traditional polyptych altarpiece type and projected the new naturalism of panel painting on to a monumental scale. In fresco projects of the 1440s and 1450s, both for S Marco in Florence and for S Peter's and the Vatican Palace in Rome, Fra Angelico softened the typically astringent and declamatory style of Tuscan mural decoration with the colouristic and luminescent nuances that characterize his panel paintings. His legacy passed directly to the second half of the 15th century through the work of his close follower Benozzo Gozzoli and indirectly through the production of Domenico Veneziano and Piero della Francesca. Fra Angelico was undoubtedly the leading master in Rome at mid-century, and had the survival rate of 15th-century Roman painting been greater, his significance for such later artists as Melozzo da Forli and Antoniazzo Romano might be clearer than it is.



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